front cover of Descartes
Descartes
The Renewal of Philosophy
Steven Nadler
Reaktion Books, 2023
A critical biography of René Descartes, whose first principle (“I think therefore I am.”) reshaped modern philosophy.
 
Often called the father of modern philosophy, René Descartes set the intellectual agenda for seventeenth-century philosophy, mathematics, natural science, and beyond. In this critical biography, based on compelling new research, Steven Nadler follows Descartes from his early education in France to the Dutch Republic, where he lived most of his adult life, to his final months as a tutor to Queen Christina of Sweden. Along the way, Nadler shows how Descartes renewed philosophy by transforming fundamental assumptions about the cosmos, natural world, and human nature as well as how his work continues to generate new insights into many of the metaphysical and epistemological problems that engage philosophers today.
 
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The Portraitist
Frans Hals and His World
Steven Nadler
University of Chicago Press, 2022
A biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age. 
 
 
Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like.
 
Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter’s animated presence captured with energy and immediacy.
 
Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals’s life, but also of the artistic, social, political, and religious worlds in which he lived and worked.
 
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Religion or Ethnicity?
Jewish Identities in Evolution
Gitelman, Zvi
Rutgers University Press, 2009
Can someone be considered Jewish if he or she never goes to synagogue, doesn't keep kosher, and for whom the only connection to his or her ancestral past is attending an annual Passover seder?

In Religion or Ethnicity? fifteen leading scholars trace the evolution of Jewish identity. The book examines Judaism from the Greco-Roman age, through medieval times, modern western and eastern Europe, to today. Jewish identity has been defined as an ethnicity, a nation, a culture, and even a race. Religion or Ethnicity? questions what it means to be Jewish. The contributors show how the Jewish people have evolved over time in different ethnic, religious, and political movements. In his closing essay, Gitelman questions the viability of secular Jewishness outside Israel but suggests that the continued interest in exploring the relationship between Judaism's secular and religious forms will keep the heritage alive for generations to come.

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Rembrandt's Jews
Steven Nadler
University of Chicago Press, 2004
There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries.

Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance.

Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.
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